Briggs’ sculptural practice is rooted in site-specificity, with a focus on transforming and reinterpreting physical spaces to invite new ways of seeing and engaging with the

environment. Central to his work is the process of deconstructing and reconstructing spatial elements—reworking what already exists to create installations that slow down perception and draw attention to the unseen.

Architecture plays a recurring role in Briggs’ visual language. He is drawn to structural forms that shape the way we navigate the everyday—columns, beams, angles, and shadows—architectural motifs that subtly guide our movement and awareness. By abstracting and recontextualizing these familiar forms, Briggs evokes a sense of memory, place, and temporality. His work reimagines arhitecture, using form, material, and negative space to suggest what once existed, what remains, and what might return.