Connor Shields'  practice is an enquiry into the nature of maleness through the use of dichotomous materials such as steel, knitted wool and fabrics. An investigation of these industrial materials and craft techniques realises a visually powerful dynamic in which ideas of ‘working-class masculinity’ are explored. Originating from Middlesbrough, Shields’ work develops as a response to experiences of post-industrial upbringing. The process of making is explorative, combining often contrasting objects which develop a sense of tension within the work. With subtlety, the work takes issue with the adopted roles that we easily accept and assume, allowing the viewer to unpick these perceptions.